EDITORIAL
The New Needs a Second Time
An anniversary attracts attention, but does not yet create a repertoire. Our articles this week lead to a question that reaches beyond programming: do we give art enough opportunity to return?
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Dance heritage
2 articles from all sections, newest first.
BACKGROUND
How a ballet is passed on
John Cranko’s Romeo and Juliet has been part of Stuttgart Ballet’s core repertoire since 1962. How does a choreography stay alive when its creator is no longer in the rehearsal room?
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